Tag Archives: urban design

Integration of Building and Landscape: Frederick Law Olmsted’s Approach

Grounds of the US Capitol, by Frederick Law Olmsted 18741

Successfully designing a formal, pastoral, scenic, or sublime landscape involves a complex synthesis of artistic vision and horticultural expertise. A landscape architect must possess an in-depth knowledge of tree and plant species suited to specific climates and regions, as well as advanced skills in composition making and spatial arrangement. Achieving mastery in this field requires extensive research, hands-on experience, and a deep, inquisitive intellect. Only through rigorous study, practical application, and innate creativity can one effectively conceptualize and realize a harmonious and aesthetically compelling landscape in the likes of what Frederick Law Olmsted and Andrew Jackson Downing accomplished.

The already intricate task of balancing the inherent chaos of nature with structured order is further complicated when the necessity of integrating a man-made structure, a building, into the landscape is required.2 This building, a completely man-made intervention on the site, must not only harmonize with its natural surroundings but also stand out as a focal point within its immediate context. The challenge here lies in ensuring that the landscape design both complements and enhances the hierarchical order, with the building at the most prominent point. To achieve this, effective collaboration is essential. Individual egos must be set aside in favor of teamwork and a collective commitment to the overarching vision.

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A Case For The Revival of Pure Forms in Architecture

Abstract: Through the discoveries made in astrophysics, it is safe to postulate that cosmic forces (gravity) exerted on mass prioritize on the long term establishment of equilibrium and purity. Our solar system is currently in its long term equilibrium phase, where planetary orbit takes place around the Sun and life flourishes on Earth. In Architecture, long term structural durability and aesthetic superiority may be achieved by implementing solids and voids that are designed with purity in mind. The geometric methods we may use for this deserves an entire separate paper or book on its own. The Roman architect Marcus Vitruvius Pollio has written extensively on these topics. However, in this essay, we will focus on the general argument for architectural purity. In times when liberated organic models of form dominate the avant-garde, it is appropriate and timely to present this alternative point of view.

The premise above will be disambiguated through worldly analogies, scientific observations and thought experiments presented in this paper.

An artistic illustration of Einstein’s theory of General Relativity, depicting a curved/bent fabric located in the space-time continuum under the influence of gravitational forces emitted by a perfectly spherical mass, causing long term orbital motion and equilibrium around stars and planets.

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